{"id":12993,"date":"2023-03-02T13:47:16","date_gmt":"2023-03-02T12:47:16","guid":{"rendered":"http:\/\/relaunch.galerie-obrist.de\/?page_id=12993"},"modified":"2023-08-31T14:38:40","modified_gmt":"2023-08-31T12:38:40","slug":"reijgers","status":"publish","type":"page","link":"http:\/\/relaunch.galerie-obrist.de\/en\/artists\/reijgers\/","title":{"rendered":"Sander Reijgers"},"content":{"rendered":"

WORKS<\/b><\/p>\n

<\/div>\n

CV<\/b><\/p>\n

Sander Reijgers
\n*1977, Alphen aan den Rijn, the Netherlands
\nBased: Zeist, the Netherlands<\/p>\n

2014 Teacher fine arts; grade one, HKU, Utrecht, the Netherlands
\n2006 BFA, HKU, Utrecht, the Netherlands<\/p>\n

Website Sander Reijgers<\/a><\/p>\n

Layer, after layer, after layer, after layer \u2026\u2026..<\/p>\n

Sander Reijgers is fascinated by the material and the act. Unstirred, he applies the layers of paint and is only limited by time (the paint has to dry interim) and by the shape the paint takes.
\nReijgers patiently follows this process and is almost subject to his own work. The paint follows the act and the paintroller with which it is applied. Very organically, apparant monochrome compositions arise, which closely show their rich tints, because underneath the upper layer, countless other layers appear. They are partly visible because of the wholes the paintroller left on the canvas. Moreover, the structure of the canvas competely and autonomously arises out of the endless repetition of the act.
\nBumps, paintlumps, everything is possible, as long as it arises from the act.<\/p>\n

At the end of this process, the image is independant of the creator and the material.<\/p>\n

The final result seems to be a simple act which, on closer inspection, is far more layered and represents months of work.
\nText by Jochem Rotteveel<\/em><\/small><\/p>\n

The paintings by Reijgers show fields of color that have been built up by placing paint layers over each other after coating. In this method, the artist has exercised respect for the surface, for paint material, for color and for brush or roller in extreme control. By giving the paint layers a certain drying time, he can manipulate the way in which they react to the next layer. In this way, the skin of the painting arises in a controlled process, as if the painting were an organism in growth. The front view of the canvas shows this stratification by the play of light on the almost mobile colors; Paint points and balls that create this color and light show are created by the regularly broken paint surface. At the same time, this depth is present because the different layers are still visible at the edges and at the sides of the canvas.
\nThe process of painting is a conscious surrender to time and action for the artist. Respect for the way the material responds to this leads to structures that arise from the relationship they have with each other. And from this process of becoming, the painting is created as an autonomous item. Sander Reijgers sees this method and the surrender to this as an opposition to the speed and volatile result orientation of today’s society.
\nThe time needed to come to a good painting – and that can be years – requires control and silence. The artist’s temperament has been tempered and curbed and a painter has been born in the true sense of the word.
\nText by MPV Gallery<\/em><\/small><\/p>\n

Solo exhibitons<\/b>
\n2023 Galerie Obrist, \u2018Past the closing time\u2019, Essen D
\n2017 Majke Husstege Projects, \u2018Resistance\u2019, s\u2019 Hertogenbosch
\n2016 Galerie Helder, \u2018Geschwitter\u2019, Den Haag
\n2011 Galerie LHGWR, \u2018Kunst hoort aan een spijker\u2019, Den Haag
\n2010 TAG\/Concrete, Amsterdam
\n2008 Galerie Kappur, \u2018Icons\u2019, Tilburg<\/p>\n

Group exhibitions<\/b> (selection)
\n2020 Horizonverticaal, \u201810 jaar HV\u2019, Haarlem
\n2020 Galerie Larik, \u2018Artistintheworld\u2019, Utrecht
\n2020 MPV Gallery, s\u2019Hertogenbosch
\n2020 Galerie Roger Katwijk, Amsterdam
\n2019 PAN Amsterdam, Galerie Roger Katwijk, Amsterdam
\n2019 WelikeArt, \u2018Pick Me\u2019 bij Collectie DE.GROEN, Arnhem
\n2019 MPV Gallery, \u2018Interlude\u2019, ism met Graphic Surgery and Mike Ballards, s\u2019 Hertogenbosch
\n2019 P60, \u2018Couleur Vague\u2019, Assen
\n2019 Kunst Rai, Galerie Roger Katwijk, Amsterdam
\n2019 Galerie Roger Katwijk, Amsterdam
\n2018 PAN Amsterdam, Galerie Roger Katwijk, Amsterdam
\n2018 KetelFactory, \u2018The eye is in the Centre \/ Magnify Me, Schiedam
\n2018 ARCO, gallery Jochen Hempel, Madrid, Spain
\n2018 Gallery ALSO, \u2018Barrier\u2019, Los Angeles, USA
\n2018 Studio Beige, Salon Salon, Rotterdam
\n2018 PHK18, \u2018Paint me a city\u2019, Rotterdam
\n2017 WelikeArt, \u2018Secret Postcard Sale, Amsterdam
\n2017 Galerie Roger Katwijk, \u2018Winter \/ X-mas show\u2019, Amsterdam
\n2017 Galerie Roger Katwijk, \u2018Revealing Contrasts\u2019, Amsterdam
\n2017 Galerie Jochen Hempel, \u2018Today\u2019, Leipzig, Germany
\n2017 ACEC, Abstract Wall Painting 3, Apeldoorn
\n2017 SBK Breda, \u2018Space of Time\u2019, Breda
\n2017 Art Rotterdam, We like art, Editions & Multiples, Rotterdam
\n2017 Vishal, REGENERATE #2, A WAY OF SCREEN PRINTING, Haarlem
\n2017 Arti Capelli, \u2018what, but what\u2019, \u2019s-Hertogenbosch
\n2016 Art The Hague, Den Haag, Galerie Helder
\n2016 Galerie Helder, \u2018Geschwitter\u2019, Den Haag
\n2016 KunstRai, Galerie Helder, Amsterdam
\n2016 Rotterdam Contemporary Artfair, Galerie Helder, Rotterdam
\n2015 Nieuwe Vide, Haarlem
\n2015 Art The Hague, Galerie Helder, Den Haag
\n2015 KunstRai, Galerie Helder, Amsterdam
\n2015 Rotterdam Contemporary Artfair, Galerie Helder
\n2014 Art The Hague, Galerie Helder, Den Haag
\n2014 Galerie Helder, Everything at it\u2019s right place, Den Haag
\n2014 KunstRai, Galerie Helder, Amsterdam<\/p>\n","protected":false},"excerpt":{"rendered":"

WORKS CV Sander Reijgers *1977, Alphen aan den Rijn, the Netherlands Based: Zeist, the Netherlands 2014 Teacher fine arts; grade one, HKU, Utrecht, the Netherlands 2006 BFA, HKU, Utrecht, the Netherlands Website Sander Reijgers Layer, after layer, after layer, after layer \u2026\u2026.. Sander Reijgers is fascinated by the material and the act. Unstirred, he applies … <\/p>\n

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